The Indonesian Diaspora Network Victoria is organizing an exhibition in the Immigration Museum in Melbourne about the international solidarity movement in Australia after the Proclamation of Indonesia's Independence, that united the communities of Indonesians, together with the local Australians, Indians and Chinese that we should celebrate. One of the activities during the weekend of 27-29th of May is the film screening of Indonesia Calling (1946) directed by Joris Ivens, which explores the refusal of ...
Why The Netherlands has so may outstanding painters and documentary filmmakers? German film historian Thomas Tode attempts – following previous authors - to provide an answer in a recent article. According to Tode it was Joris Ivens who was leading the way in depicting the elements of nature, like the famous Dutch Light, the wind or water in all its guises: rivers, rain and clouds.
After years of preparations and research, professor Zhang Tongdao (University of Beijing) and Dutch filmmaker René Seegers finalized their four-part television series about Joris Ivens. In each part of 50 minutes one of Ivens’s Chinese films is key: 1- The 400 Million (1938); 2- Before Spring (1958); 3- How Yukong Moved the Mountains (1976) and 4- A Tale of the Wind (1988).
In 1951 Joris Ivens met Pablo Picasso during a visit to his atelier in Vaucluses. Marion Michelle made a series of photos of them, together with poet Jacques Prévert, which are on display at the exhibition about 'Picasso: Shared and Divided' in Museum Ludwig, Cologne (25 September 2021-30 January 2022). After the Second World War Picasso was 'a hero of the left' and used in this way. His dove, symbol for world peace, became a tool for propaganda in the Eastern Bloc. What do we associate with Pablo Picasso today ...
FIAF, in partnership with the Jan de Vaal Fund, invites film historians to submit proposals for thematic chapters as part of a forthcoming book on the 82-year history of the International Federation of Film Archives (FIAF), both as an institution and as a coherent global community with its shared values, cultural missions, professional practices, scientific methods, and collaborative projects. The European Foundation Joris Ivens is an associate of FIAF since 2002 and André Stufkens is participating as co-editor of the book, together with Ch ...
75 years ago, on 17 August 1945, Indonesia declared its independence as a nation. In support of the young republic Joris Ivens filmed in October and November 1945 the boycot actions of maritime workers (the Black Armada) from various nationalities in the harbour of Sydney: Indonesia Calling. On August 26th 2020 the Indonesian ambassador opened in the National Maritime Museum of Australia, situated on Sydney's waterfront, an on-line exhibition about the relationship between Austra ...
On Thursday 16th of January H.E. Mrs. Ngo Thi Hoa, Ambassador of the Socialist Republic of Vietnam, conferred the Order of Friendship posthumously to Joris Ivens. Mrs. Annemiek Nooteboom received the Friendship Medal on behalf of the Ivens-family. She gave the medal and certificate to the European Foundation Joris Ivens to keep and treasure it forever in the archives.
On 30 and 31 October a delegation from Quang Tri province (central Vietnam) visited the city of Nijmegen, at the invitation of the municipality of Nijmegen, The Economic Board and the European Foundation Joris Ivens. Ms. Ngo Thi Hoa, ambassador of Vietnam in The Hague, attended the meetings. In Quang Tri the Ben Hai River is situated on the 17th parallel, where Joris Ivens and Marceline Loridan-Ivens in 1967 shot the long documentary Le 17e parallele. The delegation was headed by mr. Hoang Nam, the vice-president of the Peoples C ...
Matera in the Italian region of Basilicata is this year’s European Capital of Culture. The exhibition ‘Visione Unica’ of the design group Formafantasma includes Joris Ivens’ documentary l’ Italia Non è un Paese Povero (1960) as part of a visual archive about the very rich patrimony of this region. The last decades Matera shows a remarkable switch from poor and subordinated region towards a spectacular cultural pinnacle, praised by UNESCO, the World Monuments Fund and used by many famous ...
On 16 November at IDFA Amsterdam the documentary Marceline. A Woman. A Century made by German director Cordelia Dvorak will be premiered. This portrait of the strong-minded filmmaker Marceline Loridan-Ivens (1928-2018) and fourth wife of Joris Ivens, saw its final editing two days before she passed away. In this film we see Marceline serving her guests coffee or vodka in her Paris apartment at the rue des Saints Peres.
At the occasion of the 120th birthday of Joris Ivens and the 50th anniversary of the debut of the film The 17th Parallel, The People’s War (Joris Ivens and Marceline Loridan-Ivens, 1968) the VietNam Film Institute in collaboration with the European Foundation Joris Ivens are organizing an international Ivens-seminar in Hanoi on 22-24 November. Renowned (film) scholars from Vietnam, Canada, USA, Australia, Indonesia, China and The Netherlands will provide an impulse to the Ivens Studies around the world. Former Vietnamese co ...
The DEFA Foundation in Berlin released a new German DVD with Ivens-films in conjunction with the book Günter Jordan published about these films. DEFA already had launched a DVD with Song of the Rivers in and now presents The Wind Rose, Friendship Will Win and The Peace Cycle Tour Warsaw-Berlin-Prague 1952.
The long awaited book (in German) about Ivens and his East-German films, written by thé specialist in this field, Günter Jordan, has been published by the DEFA Foundation. This beautiful book describes in 680 pages the triumph in the 1950’s, the condemnation at the end of the 1960’s when Ivens became persona non grata in the GDR, until the resurrection of Ivens’ DEFA-films.
Prof. Ariel Heryanto from Monash University in Melbourne lectured about Joris Ivens and Indonesia Calling in Djakarta. In his vivid presentation in Bahasa Indonesia (also a version with English subtitles is available) he discussed the tensed relationships between Indonesia, Australia and The Netherlands both back then and now. The opening sequence of Ivens' film showing an Australian society with diversity could be a model for their relationships. Since 22 October, when this film made by Jakarticus, was put on-line then thous ...
Man Ray, L’Étoile de mer, based on a poem by Robert Desnos
Cinepoem is a new trend in filmmaking but the history of the cinepoem goes back to the early days of cinema. The film avant-garde in the 20’s with artists like Man Ray, Paul Strand, Fernand Léger and Joris Ivens created cinepoems in an attempt to elevate film to an art form.
To watch a registration on youtube: click here
The educational project ‘eyeandthecity’ wants to inspire students at school to study ‘city photography’ from the 19th Century up to today and create city photos themselves. The first school to work with our creative and educational website eyeandthecity was the ‘Kandinsky College’ in Nijmegen. Several classes did the assignments and uploaded their pictures on our website.
To have a look at a part of their work please go tohttp://www.eyeandthecity.nl/c2.asp.
Entrance of the Dutch Cultural Center in Shanghai, part of the Dutch contribution to the World Expo.
During the weekend of 9 and 10 July at the World Expo in Shanhai, Joris Ivens will be honored in a true `Joris Ivens weekend`. On Friday evening and Saturday afternoon and evening 13 films by Joris Ivens are screened. The films are grouped around six themes: Introduction / Stories in China / Against Facism / Avant-garde / China / Poetry and Cinema. Mrs Loridan-Ivens and the European Foundation Joris Ivens will be present to introduce the films. The theatre space at the Dutch Culture Centre will also host a small exhibition of photographs of Joris Ivens and Mrs Marceline Loridan-Ivens.
The European Foundation Joris Ivens will organize in March 2011 it`s first cinepoem competition. Wijtertuin and GoShort join into this new media experience. Wintertuin is a pioneer in the Netherlands in the field of crossover in literary productions. Go Short - International Short Film Festival Nijmegen is already in preparation for its third edition. Now these three organizations are bundled to organize a high quality, innovative and distinctive programs around the European cinepoem.
During this unique event the Wintertuin-Joris Ivens Award will be awarded to an upcoming European talent.
The `14th International Hemingway Conference’ started last Friday in Lausanne. It’s a biannual conference with dozens of lectures on various aspects of the life and work of American writer Ernest Hemingway. This year, five film scholars from the United States and France provide lectures dealing with the cooperation between Hemingway and Ivens during the Spanish Civil War.
In the Portuguese city of Serpa the 10th edition of the Documentary Seminar `Doc`s Kingdom` started on Wednesday 16 June. This years theme is focussing on the use of archival footage in documentaries. Filmmakers like Hartmut Bitomsky, Edgardo Cozarinsky and Susana de Sousa Dias will be present to debate about their own films. The Ivens Foundation is partner in this seminar.
Beyond the use of archival images, the notion of archive at the origin of the act of filming. Gathering filmmakers who have intensely worked with previously existent footage, and not forgetting that side of their activity, we propose the analysis of different paths which both enlarge and transform that binomial (image and archive). The idea of gathering, collection, inventory, as a return to an original state and, at the same time, as creative impulse. The archive, i.e., the (re)founding space.
The image is in particular a tribute to the film Pour le Mistral (1966) on the wind, a recurring theme in Ivens` work, from his earliest film in 1929 until his last filmUne Histoire de Vent (1988). The title of the artwork "When Joris Ivens meets Hraesvelgr" also refers to the wind giant from Norse mythology. In the top of the image is a classic picture of a naked man seen with a playful globe in his hand and two enormous moving wings on his back. The symbolism of the sculpture also seems to refere to the nickname of Ivens “The Flying Dutchman ", the mythical figure of the rebel ship`s captain who tart the winds and storms of all oceans and is doomed forever to sail.