THE GAMELAN DIGUL of INDONESIA CALLING

Anthony Liem wrote a text about the history of the Gamelan Digul, the first gamelan in Australia, which is an important historical object illustrating the fight for Indonesian independance against Dutch colonial rule. This gamelan is at display at the Monash University, Performing Arts Centre in Melbourne in the Margaret Kartomi Gallery.

Andries Deinum and a find of The Camera and I

After some 80 years after it was written by Ivens, a bound typoscript of his first autobiography The Camera and I, was found in Portland, Oregon, USA. Ella Thomas, who is for 32 years Director of Education for the Northwest Film Center, the Northwest region's largest and most comprehensive film arts organization, writes how she found it:

Oscar Winning '20 Days in Mariupol' (2023) and Ivens's '40 Days in Madrid' (1937)

When watching Mstyslav Chernov’s Oscar-winning film 20 Days in Mariupol, Alex Vernon, professor in English and specialist in 20th century war-literature, could not but see parallels with The Spanish Earth. This documentary by Joris Ivens, John Fernhout and Ernest Hemingway was the result of 40 days of film shooting in besieged Madrid in 1937. Both films draws on personal footage with an harrowing account of civilians caught in the siege, in 1936 a new kind of warfare.

European Film Academy honors Ivens and Liftbridge as Treasure of European Film Culture

'Selling a Colonial War' proofs Dutch propaganda and censorship

After Joris Ivens made Indonesia Calling (1946) he was immedialtely accused of anti-Dutch propapaganda. Officers of the Secret Service also immediately proposed to withdraw Ivens'passport. Not in 1951, but already in 1945. In a new documentary Selling a Colonial War filmmaker In-Soo Radstake casts a broad view of perpectives, among others a remarkable view of former Dutch minister of foreign affairs Ben Bot. He confirms that it was the Dutch government itself which used pure propaganda, censorship and concealing language to disinform or not inf ...

Absurd spy thriller about Ivens and Van Dongen is indeed absurd

The Second Stage production of Spain in the Tony Kiser Theater in New York presented in December '23 a play about The Spanish Earth with Joris Ivens, Helen van Dongen, Ernest Hemingway and John Dos Passos as the protagonists. Jen Silverman writes that Spain is not “a history play in the most conventional meaning.” It’s “set in 1936 in the West Village,” she says, then adds, “Sort of.” "This 90-minute comedy-drama is an absurdist-tinged fantasy that seizes a moment of history and bends it to the breaking point", she continues. And ...

A performance of Rain at a Climate Change programme

During a concert at the 'Felix Mendelssohn Bartholdy' University of Music and Theater in Leipzig the subject of Climate Change was íllustrated' by Ivens' film Rain/Regen (1929) accompanying Hanns Eisler’s "14 Arten den Regen zu beschreiben" (*Fourteen Ways to Describe Rain). In a packed great concert hall this magnificent performance became a marvellous highlight of the night. The musicians played with energy, joy and much competence. Hanns Eislers and Joris Ivens art works were much appreciated by the audience and critics as well.The initia ...

A Gift of Ivens films

Recently the Ivens Foundation received six reels of a working copy of The 17th Parallel (1968). Laurence Lefèvre gave these reels to André Stufkens in her place in Montreuil. She got this working copy from her sister, the late Liliane Korb, who passed away in 2022. At the age of 26 Liliane Korb edited this long documentary about the peoples war and fight for independence of the Vietnamese people against the US occupation. Previously the Ivens Foundation also received an old print of Borinage from the Limburg Museum. Liliane Korb Lilia ...

How an Ivens film helps to reconstruct cultural heritage in Valparaiso

In 1963 Joris Ivens made, together with students from the university in Santiago de Chile, a poetic film mosaic of the Chilean harbour city Valparaiso, called …à Valparaiso. This film is part of the cultural heritage of this city, in 2003 elected UNESCO World heritage. Amanda Panizza Hevia published a plan to reconstruct the Casa de Los Siete Espejos (‘The House with Seven Mirrors’) as part of a new department of the regional archives of Valparaiso. ...

Women and the Far East in The 400 Million

During the Hanns Eisler Discourse at Humboldt University in Berlin on 5 and 6 November Japanese scholar Chiharu Wada (Meiji-Gakuin University, Tokyo) will lecture about Women and the Far East in the documentary The 400 Million (USA, 1939). Joris Ivens' documentary The 400 Million deliberately presents a "new" image of China, where women and men study together, "as in America". It is Ivens' perspective for a modern Chinese society in which women are equal to men, although this representation did not really matched reality in society i ...

Looking for my father in an Ivens film

Recently a citizen from Montpellier travelled 1200 kilometres to visit the Joris Ivens Archives in order to find his biological father. There are many reasons why people around the world consult the Ivens collection, but this is a very special and personal one. He wanted to look for his father, which he has never known and met, in Ivens’ documentary Peace Will Win (1951)

Ivens Meets China

After years of preparations and research, professor Zhang Tongdao (University of Beijing) and Dutch filmmaker René Seegers finalized their four-part television series about Joris Ivens. In each part of 50 minutes one of Ivens’s Chinese films is key: 1- The 400 Million (1938); 2- Before Spring (1958); 3- How Yukong Moved the Mountains (1976) and 4- A Tale of the Wind (1988).

Picasso Shared and Divided: The Artist and His Image in East and West Germany

In 1951 Joris Ivens met Pablo Picasso during a visit to his atelier in Vaucluses. Marion Michelle made a series of photos of them, together with poet Jacques Prévert, which are on display at the exhibition about 'Picasso: Shared and Divided' in Museum Ludwig, Cologne (25 September 2021-30 January 2022). After the Second World War Picasso was 'a hero of the left' and used in this way. His dove, symbol for world peace, became a tool for propaganda in the Eastern Bloc. What do we associate with Pablo Picasso today? A ...

Project of a Book on the History of FIAF

FIAF, in partnership with the Jan de Vaal Fund, invites film historians to submit proposals for thematic chapters as part of a forthcoming book on the 82-year history of the International Federation of Film Archives (FIAF), both as an institution and as a coherent global community with its shared values, cultural missions, professional practices, scientific methods, and collaborative projects. The European Foundation Joris Ivens is an associate of FIAF since 2002 and André Stufkens is participating as co-editor of the book, together with Chris ...

The European Film Academy (EFA) honors Joris Ivens, The Bridge (1928) and the vertical-lift bridge in Rotterdam (Koningshaven Bridge) by including it as Treasures of European Film Culture. It is for the first time that a Dutch filmmaker and location is included in this growing list of in the meanwhile 49 European locations in 24 countries, which or of extreme importance for the European film culture. According to the EFA these places of historical value need to be maintained and protected not just now but also for generations to come.
Famous locations of this list are the great staircase in Odessa from Eisensteins’ Pantserkruizer Potemkin(1925), the Trevi Fontain in Rome (La Dolce Vita, 1960) and the Notting Hill Bookshop (Notting Hill, 1999) in Londen.
See: https://www.europeanfilmacademy.org/activity/koningshaven-bridge-rotterdam-netherlands/

With The Bridge Joris Ivens freed the filmcamera, because he brought to live a 'dead iron machine' without a fixed tripod, without a script, without actors, filming spontanously, climbing and performing break neck tricks on the beams of the lift bridge. This lift bridge was opened at the end of 1927 and within a few weeks Ivens alerasdy started filming with a Kinamo hand held 35 mm. film camera. This groundbrealing film presented The Netherlands as a new, modern country, no longer with the folkoristic images of wind mills and Volendam puff pants. This short film conquered immediately the avant-garde cinema theaters of Europe. With The Bridge Ivens became worldwide one of the pioneers of a new film language. He discovered himself during the editing the effects of rythm in film, of directions and movements, and called his film 'My Mondrian', with a game and balance of opposites. He also was amazed by the effects of perceptual psychology: it is possible to create a world on its own on the cinema screen. The simple narrative looked very realistic: a train from the south is arriving at the railbridge, but has to stop because the liftbridge opens for passing boats, and only after the bridge is closed again the train can continue its track to the north. It wasn't realistic, but an invented drama: ‘There is also such thing as a train timetable, preventing trains to stop', wrote the journal of train drivers. For Ivens this result was quintessential for the start of his film career. From that moment on he knew that he could create film art with a world on its own.
Joris Ivens (Nijmegen 1898-Parijs 1989) grew up in the family of Kees Ivens, an entrepreneur in photo equipment and his grandfather Wilhelm Ivens, a prolific photograper. In these three generations one can notice the for The Netherlands unique organic transformation from photography (the art of the 19th century) to film art (the art of the 20th century).
Since 1997 the Joris Ivens Archives are established in his birthplace Nijmegen which is managed by the European Foundation Joris Ivens in the Regionaal Archief Nijmegen.

Award and decorations Joris Ivens
1955   Ivens ontvangt de Wereld Vredesprijs in Helsinki.
1957  Wint een Gouden Palm op het filmfestival van Cannes en een Golden Gate Award in
            San Francisco met de film La Seine a rencontré Paris (De Seine ontmoet Parijs).
1966   Zilveren Leeuw op filmfestival van Venetië voor Pour le Mistral
1967   Ontvangt de Internationale Lenin Prijs voor Wetenschap en Cultuur in Moskou.
1978  Het Royal College of Art in Londen verleent Ivens een ere-doctoraat.
1984  Wordt benoemd tot Commandeur van de Legion d`Honeur (Franse ridderorde) door
            de Franse president Mitterand.

1985 Ontvangt Het Gouden Kalf (Hoofdprijs op het Nederlands Film Festival in Utrecht)
uitgereikt door minister Brinkman.

Wordt geridderd tot Groot Officier van de Republiek Italië.

Ontvangt de gouden medaille voor "grote verdiensten voor de Schone Kunsten" van de
Spaanse koning Juan Carlos.

1987 Ontvangt de "Che Guevarra Prijs" in Cuba.

1988 Krijgt uit handen van Gina Lolobrigida de Gouden Leeuw voor zijn gehele oeuvre op
het internationale filmfestival van Venetië.

Wordt door burgemeester Ien Dales benoemd tot ereburger van zijn geboortestad
Nijmegen.

1989 Wordt tot Ridder in de Orde van de Nederlandse Leeuw gedecoreerd door koningin
Beatrix.

Sterft in Parijs op 28 Juni.

            Marceline Loridan-Ivens (zijn vrouw) wint een Felix ("de Europese Oscar") voor Ivens`
            complete oeuvre en in het bijzonder voor de laatste film die ze samen maakten Une
            Histoire de Vent (Het verhaal van de wind).