The son of documentary filmmaker Leo Hurwitz created a beautiful website about the films of his father. Most of his unique social documentaries are available on-line now and proof their current value. Joris Ivens used excerpts from Hurwitz’ films in at least four of his documentaries, like the wellknown and shocking ‘looting & shooting’ sequence of policemen against steelworkers on strike in 1993 in Ambridge. https://leohurwitz.com/
On Friday 7 February students at the Kunstakademie Düsseldorf will see historical footage, films, documentaries and interviews, with among others Regen/Rain (Joris Ivens/Mannus Franken, 1929). Teacher and filmmaker Claudia von Alemann will show her own work and discuss the films of others. The Academy of visual arts at Düsseldorf was itself the filmset of 'Werk ohne Autor' (Never Look Away; Florian Henckel von Donnersmarck, 2018).
On Thursday 16th of January H.E. Mrs. Ngo Thi Hoa, Ambassador of the Socialist Republic of Vietnam, conferred the Order of Friendship posthumously to Joris Ivens. Mrs. Annemiek Nooteboom received the Friendship Medal on behalf of the Ivens-family. She gave the medal and certificate to the European Foundation Joris Ivens to keep and treasure it forever in the archives.
The Vietnamese government honors Joris Ivens posthumously by conferring the Friendship Medal. This award will be presented on Thursday afternoon 16th of January by H.E. Mrs. Ngo Thi Hoa, Ambassador of the Socialist Republic of Vietnam at the embassy in The Hague. A family member of Joris Ivens, Annemiek Nooteboom, will receive the medal on behalf of the family.
On Friday 23 October a film crew of Chinese broadcasting (CCTV-9) shoot some footage in Nijmegen for a four-part series on Joris Ivens and China. Prof. Zhang Tong Dao from Beijing University Beida, teacher as well as filmmaker, is the director. Each episode will focus on one of the Chinese films Ivens made between 1938-1988. Dutch filmmaker René Seegers, who made Joris Ivens Old Friend of the Chinese People in 2008, assisted this film crew during the shooting.
Documents and photos from the collectio ...
On 30 and 31 October a delegation from Quang Tri province (central Vietnam) visited the city of Nijmegen, at the invitation of the municipality of Nijmegen, The Economic Board and the European Foundation Joris Ivens. Ms. Ngo Thi Hoa, ambassador of Vietnam in The Hague, attended the meetings. In Quang Tri the Ben Hai River is situated on the 17th parallel, where Joris Ivens and Marceline Loridan-Ivens in 1967 shot the long documentary Le 17e parallele. The delegation was headed by mr. Hoang Nam, the vice-president of the Peoples C ...
The NDR-Radiophilharmonie will perform 'Fourteen Ways to Describe Rain' by German composer Hanns Eisler, together with the projection of Ivens' film Regen (1929, Rain) in the Sprengel-Museum in Hannover on Tuesday 15 and Wednesday 16 October 2019.
Recently two new books were published in Vietnam about Joris Ivens. The first one describes the life and career of Joris Ivens as a filmmaker with a special focus on Vietnam, the second book is the result of the International Joris Ivens Symposium, held in Hanoi in November 2018. All lectures of Vietnamese filmmakers and friends/assistents of Ivens as well as international film scholars are included.
Matera in the Italian region of Basilicata is this year’s European Capital of Culture. The exhibition ‘Visione Unica’ of the design group Formafantasma includes Joris Ivens’ documentary l’ Italia Non è un Paese Povero (1960) as part of a visual archive about the very rich patrimony of this region. The last decades Matera shows a remarkable switch from poor and subordinated region towards a spectacular cultural pinnacle, praised by UNESCO, the World Monuments Fund and used by many famous ...
On 16 November at IDFA Amsterdam the documentary Marceline. A Woman. A Century made by German director Cordelia Dvorak will be premiered. This portrait of the strong-minded filmmaker Marceline Loridan-Ivens (1928-2018) and fourth wife of Joris Ivens, saw its final editing two days before she passed away. In this film we see Marceline serving her guests coffee or vodka in her Paris apartment at the rue des Saints Peres.
At the occasion of the 120th birthday of Joris Ivens and the 50th anniversary of the debut of the film The 17th Parallel, The People’s War (Joris Ivens and Marceline Loridan-Ivens, 1968) the VietNam Film Institute in collaboration with the European Foundation Joris Ivens are organizing an international Ivens-seminar in Hanoi on 22-24 November. Renowned (film) scholars from Vietnam, Canada, USA, Australia, Indonesia, China and The Netherlands will provide an impulse to the Ivens Studies around the world. Former Vietnamese co ...
On Monday May 28th the VietNam Film Institute presented a new documentary film about Ivens in VietNam at the occassion of a ceremony in Nijmegen celebrating 50 years of solidarity between Nijmegen and VietNam. Mrs. Ngo Thi Hoa, Ambassador of VietNam in The Hague, Mr. Hubert Bruls, mayor of Nijmegen, and activists from the 1960s and 70s supporting VietNam, attended this meeting. The theme 'Looking back for a better future' was illustrated with specialists presenting innovative technologies from Nijmegen in nowadays projects in Viet ...
The DEFA Foundation in Berlin released a new German DVD with Ivens-films in conjunction with the book Günter Jordan published about these films. DEFA already had launched a DVD with Song of the Rivers in and now presents The Wind Rose, Friendship Will Win and The Peace Cycle Tour Warsaw-Berlin-Prague 1952.
The long awaited book (in German) about Ivens and his East-German films, written by thé specialist in this field, Günter Jordan, has been published by the DEFA Foundation. This beautiful book describes in 680 pages the triumph in the 1950’s, the condemnation at the end of the 1960’s when Ivens became persona non grata in the GDR, until the resurrection of Ivens’ DEFA-films.
Chris Marker (1921-2012) is one of the finest examples of an essay-filmmaker. TheCinémathèque Française shows the exhibition ‘Chris Markers and the 7 Lives of a Cineaste’ (until 29 July) and an almost complete retrospective including the films to which he contributed as a friend and collaborator of Joris Ivens …à Valparaiso (commentary), Rotterdam Europort (commentary) and the collective film Loin de Vietnam (producer). Only Le ciel, la terre is lacking (commentary).
A journey of a nomad filmmaker
The exhibition Chris Marker is a journey. A journey in space and time, a journey that accompanies, from the Second World War and the Resistance until his death in 2012, the exceptional journey of a filmmaker and a man out of the ordinary. This trip is at the same time the chronicle of a long and very full existence, and a free movement in the different layers of time alongside an inventive explorer of possible displacements between present, past and future, displacements of which La Jetée offered the best known model. This exhibition is at the same time a journey into space, on the surface of the planet, alongside a tireless globe-trotter, curious about the world and its inhabitants: California, Iceland, Korea, Guinea Bissau, Siberia, China, Latin America from Mexico City to Valparaíso via Havana, mark out those journeys where the love of Japan occupies a singular place. The courses of Chris Marker, on occasion, will have even led him to Mars or to the virtual planet of Second Life …
The Cinémathèque française has collected the immense archives of all kinds and on any medium [format, device] left by Marker at his death. It is from this rich and heterogeneous treasure – both chronological and thematic – that the exhibition was conceived. The material of this legacy is so rich and so complex that the inventory of the one who was also a passionate archivist is not yet complete when opening the exhibition. In particular, we discover the original works that had been offered to him by great artists, his own previously unknown plastic [fine art] creations, as well as his two great installations, Zapping Zone (Proposals for an Imaginary Television) and Owls at Noon Prelude: The Hollow Men, as well as the discussion program with a computer he had designed, Dialector.
The exhibition is accompanied, in theaters of the Cinémathèque, by the complete movies, videos and television programs (the thirteen episodes of The Owl’s Legacy) directed by Chris Marker. Also to be screened are the films he collaborated on, and the recent documentary directed by Jean-Marie Barbe and Arnaud Lambert, Never Explain, Never Complain. And as well a particular program of great classic films particularly loved by Marker and with which his own realizations dialogue.
Upon Marker’s death, there were no direct heirs nor designees to manage his estate, preserve his legacy, and archive his materials. That task was taken up by the archives experts from Cinémathèque française, with the help and guidelines of a few devoted individuals including Jean-Michel Frodon and Raymond Bellour. The result of their tireless efforts and commitment is a double volume publication forthcoming this May, the most comprehensive exhibition ever dedicated to Marker’s multifacted work, and a vast retrospective including all his films and many of those he was inspired by or that were inspired by him, opening at the Cinémathèque Française on May 2. In conversation with Alter, Frodon will discuss the experience and process of archiving Marker, editing his writings and preparing an exhibition—all part of the process of making accessible the work of a deeply private person who vehemently disliked public life.