The winner of the 2017 Prix Joris Ivens/Joris Ivens Award at the International Documentary Film Festival Cinéma du reel in Centre Pompidou, Paris, is young Syrian filmmaker Yaser Kassab with his second film On the Edge of Life / Ala hafet al-Hayat (45’). The award for debute films is granted with 7.500 euros by Marceline Loridan-Ivens, Les Amis du Cinéma du reel and CNAP, The National center for Viusla Arts (Cnap).
On 28 March the Award Ceremony of The Society of Cinema and Media Studies, the world's largest organisation devoted to the scholarly study of film and media, paid tribute to the best film scholarship of the previous year. Prof. Thomas Waugh received the best book award for his outstanding book about the complete film oeuvre of Joris Ivens. Maryse Elliott (Amsterdam University Press) and Giovanna Fossati (EYE Filmmuseum Amsterdam), editors of the Framing Film series, attended the presentation.
After last years agreement between the Vietnamese Film Instituut and the European Foundation Joris Ivens to establish an active partnership director André Stufkens visited Vietnam on the invitation of director Vũ Nguyên Hùng. The purpose of the successful visit was to make concrete appointments further developing this collaboration of exchange of knowledge and expertise.
On March 28th, during the 2017 annual meeting of The Society for Cinema and Media Studies (SCMS), the Katherine Singer Kovács Book Award for outstanding scholarship in cinema and media studies will be presented to prof. Thomas Waugh for his magisterial The Conscience of Cinema. The Works of Joris Ivens, 1912-1989. It is thé ultimate peer review recognition of the intellectual quality and vibrance of this first book about the complete film oeuvre of Joris Ivens.
Mark Hamlyn made a new composition for The Billi Brass Quintet for Ivens' 'the Bridge'. It is part of the Billi Brass' Silent Films Project.
In the series 'Stationen der Filmgeschichte' (Stations of Film History) the Filmmuseum Düsseldorf presents films of 100 Master film directors who influenced film history. Stations are sites of arrivals, departures, crossings and switches, similar to icons of film history: the selected film directors paved the way of new directions, cross overs and switches in filmmaking. On 3 January the Filmmuseum presents three films of Joris Ivens: Lied der Ströme (1954, Song of the Rivers), ...à Valparaiso (1963) and Regen (19 ...
‘A new Ivens’, this is how German film historian Günter Jordan describes the documentary The Compass Rose (Die Wndrose, 1957). With an outstanding cast, like Simone Signoret, Yves Montand, Helene Weigel, with outstanding directors like Alberto Cavalcanti, Yannick Bellon and Gilio Pontecorvo, this five-episode omnibus film presented a new style and format in documentary film. It was shown during the International Documentary Festival DOKS Leipzig celebrating its 70th anniversary on 3 November.
During the UBUD Writers festival on Bali the 'Black Armada/Hitam Armada' exhibition was presented at the Agung Rai Museum of Art. Dr. Helena Studdert, consul-general of Australia on Bali, attended the opening event. This travelling exhibition, with the permanent screening of Ivens' Indonesia Calling, made by the National Maritime Museum of Australia on the initiative of Mr. Anthony Liem was already shown in Sydney and Yogyakarta. It will be shown at the end of November at the Margarana National Park to commemorate the ...
On Friday prof. Thomas Waugh (Concordia University, Montreal) presented his monumental 'The Conscience of Cinema. The Works of Joris Ivens 1912-1989' in EYE Amsterdam. Together with Amsterdam University Press and the European Foundation Joris Ivens, EYE organized an expertmeeting, two filmscreenings of six Ivensfilms and a live music performance accompanying Rain (Regen, 1929, Ivens/Franken). This marked the launch of a book that for the first time surveys all the films of Ivens, with a description, analysis and ...
At the occasion of the launch of Thomas Waugh's masterly book The Conscience of Cinema. The Works of Joris Ivens 1926-1989, a special Joris Ivens Seminar will organized in EYE Study on 21 October 2016. Paul Kusters, president of the Ivens Foundation, will be the moderator of the day with lectures and debates focussing on 'Ivens & The Netherlands'. The programme also includes the screening of Indonesia Calling!, New Earth, The Bridge, Rotterdam-Europoort and a Q&A.
The 13th Ubud Writers & Readers Festival is Southeast Asia’s leading festival of words and ideas. The Festival celebrates extraordinary stories, amplifies brave voices, and tackles global issues through the lens of literature and the arts. On 30 October Ivens’ Indonesia Calling! will be shown with a Q&A of Agung Rai, Anthony and Helen Liem and other guests from the Australian National Maritime Museum.
With the bulky book 'Saviour of the Tenth Muse. Jan de Vaal and the Netherlands Filmmuseum, 1946-1987' the European Foundation Joris Ivens is presenting the treasures of the national film archive of the Netherlands, as collected, presented and preserved by Jan de Vaal (1922-2001). Until now only sporadically has been published about the pioneering activities by its first director. He started in 1946 without anything, no film, no money, no housing, nog experience and no personnel. After 40 years he left the film museum with 1 ...
The director of the Vietnames Film Institute gave a precious present to the Ivens Foundation, when both FIAF-institutions met in Nijmegen on Thursday 30th of June. Mr. Dao Quoc Hung (on the photo: second from the left side) handed over the found footage of Ivens' visits to Vietnam when Ivens started filmmaking durign the war against the US in 1965. Most of the footage concerns outtakes of Le ciel, la terre (1966) and various meetings in North-Vietnam. Next year the Vitenames Film Institute will commemorate the 50th anni ...
The Sächsische Staatskapelle in Dresden will performing a live concert with film screening of Rain (Regen, Ivens-Franken 1929) during the 7th Shostakovich-Days. The Final concert programs Ludwig von Beethoven, Dmitri Shostakovich, Paul Dessau and Hanns Eislers Fourteen Ways to Describe Rain (1941) with the film.
Rithy Panh at IDFA. Photo IDFA
At the request of 26th IDFA Cambodian director Rithy Panh (1964, Phnom Penh) compiled his personal Top 10 of documentary films. The films of his Top 10 are screened during the festival, accompanied by a Retrospective of the filmmaker`s own work. In his Top 10 Rithy Panh selected two films of Joris Ivens/ Marceline Loridan-Ivens, which will be screened on Sunday 24th and Monday 25th at EYE and Tuschinski.
Catalogus Modernités plurielles 1905/1970: Tatlin, Malewich, Ivens, Pevsner en Huszar.
‘Multiple Modernities’ 1905-1970 is the name of the new permanent presentation of the collection of Centre Pompidou, the National Museum of Modern Art in Paris. It completely renews the museum`s traditional presentation, focusing on a more open, wide ranging approach to art in the modern period. All continents are covered in this selection of over 1,000 works by nearly 400 artists, making for a more balanced representation of the various regions in the world, and a wider overview of this period of art. Ivens’ Philips radio (1929) is on show in the part called ‘Construct Revolution’. Next to tatlin, Malewich. Pevsner and Huszar.
The Centre Pompidou in Paris is paying tribute to filmmaker Chris Marker from 16 October until 16 December. Not only through his films, but also by exploring the path of his inspirations, friendships and encounters.. Chris Marker collaborated with his friend Joris Ivens for various projects: …a Valparaiso, Rotterdam Europort, Le ciel, la terre and Loin de Vietnam. On 23 november the restored version of Loin de Vietnam (Far from Vietnam, 1967) will be shown.
Exhibition room with avant-garde films at the MMKA, Arnhem
From 20 October 2013 to 23 February 2014, the Museum voor Moderne Kunst Arnhem (MMKA) exhibits The Melancholic Metropolis: Cityscapes between Magic and Realism, 1925-1950. Magic realist painting is displayed alongside photography and film of the same era that visualizes the metropolis as a place of stillness, loneliness, and melancholy. Ivens’s film Rain is on exhibit permanently, alongside other avant-garde films. Also photos of Germaine Krull, Ivens’wife at that time, who inspired him to film cranes and bridges, are presented.
The Cultural Studentcentre of the University and high-school of Amsterdam CREA has started a course `Dutch masters in documentary history`. Besides Bert Haanstra and Johan van der Keuken, Joris Ivens will be discussed in detail as well.
The dutch masters of documentary film have placed the Netherlands on the world map since the fifties. Since then the Netherlands is well known for its documentary tradition. They had also a big influence on the development of documentary in the Netherlands. This was sooner recognized abroad than in their homeland.
In the course they examinate the influence of these Dutch masters on Dutch documentaryfilm. Besides viewing and discussing the works of the makers, there will be also a focus on the context and the background of the filmmakers, The course takes six weeks and will continue if there are enough participants.
For more infomation take a look at the website of CREA.
Hanns Eisler made the music for 'Komsomol', among other Ivens films.
Because of the passing of the famous composer Hanns Eisler 50 years ago, the film "Regen" of Joris Ivens will be screened on 3rd October 2012 at Centraltheater Leipzig as part of the event: "Eisler I Sohn ohne Stadt- eine musikalisch-szenische Revue zum 50. Todestag von Hanns Eisler". There were ‘Hans Eissler days’ organized in Berlin ass wel. Here they also showed two films of Ivens;‘Heldenlied (Pesn o gerojach) and ‘Regen’ because Eisler composed music for these films.
Cover of The Moving Image, The Journal of the Association of Moving Image Archivists (AMIA), 2013.
Going through the files of Marion Michelle, kept by the European Foundation Joris Ivens in Nijmegen, is like reading a crime novel. Sabine Lenk, who researched these files: ‘her papers document important moments from a quintessential conflict inside the Fédération Internationale des Archives du Film (FIAF, International Federation of Film Archives). Some of the best known film archivists such as Henri Langlois, Ernest Lindgren and Jacques Ledoux, played a significant part, as well as FIAF-president Jerzy Toeplitz. The latest issue of the ‘The Moving Image’ [ISSN 1532-3978] published her article ’Then began the battle royal”, written in collaboration with André Stufkens.
In this article the conflict is reconstructed from the point of view of Marion Michelle. Being the secretary of FIAF she functioned as a catalyst of this conflict, accelerating a development inside FIAF necessary to force a club of old friends to reform and become a professionally structured and ever growing association of film archives.