The winner of the 2017 Prix Joris Ivens/Joris Ivens Award at the International Documentary Film Festival Cinéma du reel in Centre Pompidou, Paris, is young Syrian filmmaker Yaser Kassab with his second film On the Edge of Life / Ala hafet al-Hayat (45’). The award for debute films is granted with 7.500 euros by Marceline Loridan-Ivens, Les Amis du Cinéma du reel and CNAP, The National center for Viusla Arts (Cnap).
On 28 March the Award Ceremony of The Society of Cinema and Media Studies, the world's largest organisation devoted to the scholarly study of film and media, paid tribute to the best film scholarship of the previous year. Prof. Thomas Waugh received the best book award for his outstanding book about the complete film oeuvre of Joris Ivens. Maryse Elliott (Amsterdam University Press) and Giovanna Fossati (EYE Filmmuseum Amsterdam), editors of the Framing Film series, attended the presentation.
After last years agreement between the Vietnamese Film Instituut and the European Foundation Joris Ivens to establish an active partnership director André Stufkens visited Vietnam on the invitation of director Vũ Nguyên Hùng. The purpose of the successful visit was to make concrete appointments further developing this collaboration of exchange of knowledge and expertise.
On March 28th, during the 2017 annual meeting of The Society for Cinema and Media Studies (SCMS), the Katherine Singer Kovács Book Award for outstanding scholarship in cinema and media studies will be presented to prof. Thomas Waugh for his magisterial The Conscience of Cinema. The Works of Joris Ivens, 1912-1989. It is thé ultimate peer review recognition of the intellectual quality and vibrance of this first book about the complete film oeuvre of Joris Ivens.
Mark Hamlyn made a new composition for The Billi Brass Quintet for Ivens' 'the Bridge'. It is part of the Billi Brass' Silent Films Project.
In the series 'Stationen der Filmgeschichte' (Stations of Film History) the Filmmuseum Düsseldorf presents films of 100 Master film directors who influenced film history. Stations are sites of arrivals, departures, crossings and switches, similar to icons of film history: the selected film directors paved the way of new directions, cross overs and switches in filmmaking. On 3 January the Filmmuseum presents three films of Joris Ivens: Lied der Ströme (1954, Song of the Rivers), ...à Valparaiso (1963) and Regen (19 ...
‘A new Ivens’, this is how German film historian Günter Jordan describes the documentary The Compass Rose (Die Wndrose, 1957). With an outstanding cast, like Simone Signoret, Yves Montand, Helene Weigel, with outstanding directors like Alberto Cavalcanti, Yannick Bellon and Gilio Pontecorvo, this five-episode omnibus film presented a new style and format in documentary film. It was shown during the International Documentary Festival DOKS Leipzig celebrating its 70th anniversary on 3 November.
During the UBUD Writers festival on Bali the 'Black Armada/Hitam Armada' exhibition was presented at the Agung Rai Museum of Art. Dr. Helena Studdert, consul-general of Australia on Bali, attended the opening event. This travelling exhibition, with the permanent screening of Ivens' Indonesia Calling, made by the National Maritime Museum of Australia on the initiative of Mr. Anthony Liem was already shown in Sydney and Yogyakarta. It will be shown at the end of November at the Margarana National Park to commemorate the ...
On Friday prof. Thomas Waugh (Concordia University, Montreal) presented his monumental 'The Conscience of Cinema. The Works of Joris Ivens 1912-1989' in EYE Amsterdam. Together with Amsterdam University Press and the European Foundation Joris Ivens, EYE organized an expertmeeting, two filmscreenings of six Ivensfilms and a live music performance accompanying Rain (Regen, 1929, Ivens/Franken). This marked the launch of a book that for the first time surveys all the films of Ivens, with a description, analysis and ...
At the occasion of the launch of Thomas Waugh's masterly book The Conscience of Cinema. The Works of Joris Ivens 1926-1989, a special Joris Ivens Seminar will organized in EYE Study on 21 October 2016. Paul Kusters, president of the Ivens Foundation, will be the moderator of the day with lectures and debates focussing on 'Ivens & The Netherlands'. The programme also includes the screening of Indonesia Calling!, New Earth, The Bridge, Rotterdam-Europoort and a Q&A.
The 13th Ubud Writers & Readers Festival is Southeast Asia’s leading festival of words and ideas. The Festival celebrates extraordinary stories, amplifies brave voices, and tackles global issues through the lens of literature and the arts. On 30 October Ivens’ Indonesia Calling! will be shown with a Q&A of Agung Rai, Anthony and Helen Liem and other guests from the Australian National Maritime Museum.
With the bulky book 'Saviour of the Tenth Muse. Jan de Vaal and the Netherlands Filmmuseum, 1946-1987' the European Foundation Joris Ivens is presenting the treasures of the national film archive of the Netherlands, as collected, presented and preserved by Jan de Vaal (1922-2001). Until now only sporadically has been published about the pioneering activities by its first director. He started in 1946 without anything, no film, no money, no housing, nog experience and no personnel. After 40 years he left the film museum with 1 ...
The director of the Vietnames Film Institute gave a precious present to the Ivens Foundation, when both FIAF-institutions met in Nijmegen on Thursday 30th of June. Mr. Dao Quoc Hung (on the photo: second from the left side) handed over the found footage of Ivens' visits to Vietnam when Ivens started filmmaking durign the war against the US in 1965. Most of the footage concerns outtakes of Le ciel, la terre (1966) and various meetings in North-Vietnam. Next year the Vitenames Film Institute will commemorate the 50th anni ...
The Sächsische Staatskapelle in Dresden will performing a live concert with film screening of Rain (Regen, Ivens-Franken 1929) during the 7th Shostakovich-Days. The Final concert programs Ludwig von Beethoven, Dmitri Shostakovich, Paul Dessau and Hanns Eislers Fourteen Ways to Describe Rain (1941) with the film.
Hannover based ensemble musica assoluta took Joris Ivens’ Rain as the starting point to combine two genres: music and film. They present pieces inspired by water or rain on Friday 20 and Saturday 21 May. Apart from the screening of Rain, the audience in Hannover and Göttingen gets to watch and listen to a new composition by Thorsten Encke and a new movie by Ali Mauritz and Bernd Wolter.
On 7 and 8 April 2016 a conference, organised by the University of Lausanne (UNIL) and the Swiss Film Archive (Cinémathèque Suisse), brought together international film scholars, discussing the history of film archives in various countries and continents, and their relationships with ciné-clubs. The conference was attended by Freddy Buache (91), the only surviving legend of the FIAF-pioneers, director of the Swiss film archive since 1952. André Stufkens lectured about the situation in The Netherlands in the framework of a book which will be presented in EYE on 2 September.
The Vietnam Film Institute in Hanoi (with a sub-archive in Ho Chi Minh City) and the European Foundation Joris Ivens decided to strengthen their relationship. On March 11th Mr. Adrian Spijker, ambassador of the Ivens Foundation, visited the Vietnam Film Institute, and Mr. Dao Quoc Hung, director of this national film archive, will visit the Ivens archives in return in June. The purpose of this project is to deepen the research on the four Vietnam-films Ivens made during the second half of the 1960's: Le ciel, la terre (1966), Loin de Vietnam (1967, with Godard, Lelouch, Klein, Varda a.o.), Le dix-septieme parallele (1968, with Marceline Loridan-Ivens) and Recontre avec le président Ho Chi Minch (1970)
This magnum opus, written by prof. Thomas Waugh (Concordia University, Montreal) and published by AUP (Amsterdam University Press) will become the new world standard in Ivens-studies. The book of 780 pages will be presented on October 21st 2016. It is the first film book to survey the entire career of Joris Ivens and describes the relationship between his films and other filmmakers on all continents. More than a biography of a leftist committed to changing the world through film, The Conscience of Cinema is also a microcosmic history of the documentary and its form, culture, and place within twentieth-century world cinema. Ivens worked in almost every genre, including the essay, compilation, hybrid dramatization, socialist realism, and more. Whether in his native Netherlands, the Soviet Union, the United States, Vietnam, or beyond, he left an indelible artistic and political mark that continues to resonate in the twenty-first century.
NAMU in Prague, the publishing house of the Academy of Arts, presented the Czech translation of André Stufkens book Joris Ivens. Filmmaker of the World (518 pages). This Czech book explores the content, production, meaning and reception of 21 Ivens films and was first published in Dutch and German in 2008 and 2009 as part of the DVD box. Especially a chapter about the relationship between Joris Ivens and the Czech Republic has been added, focussing on the documentary The First Years.
Arthur Locke/ Chang, former Secretary of the Chinese Seamen's Union and actor in the 1946 film Indonesia Calling! passed away on 15th of January. On the film still of this page we see Arthur delivering a fiery address to a crowd of seamen in Sydney in 1945 in support of Indonesia Merdeka / Independent Indonesia. This was the only sequence of Indonesia Calling! with sound registration.
What do water, snow and rain sound like? In the Sculpture Park ‘Waldfrieden’ in Wuppertal compositions of Berio, Debussy, Ligeti and Eisler will be performed with the theme of water. The documentary Rain (Regen, 1929) of Joris Ivens and Mannus Franken will be screened twice: once silent and once with life music.
The Dutch Art Istitute presents on Sunday October 18th a roaming assembly at Showroom in Arnhem about contemporary artists reflecting on history through the revolutionary lens of art and cinema. With André Stufkens, and artists from Australia (Vivian Ziherl, Tom Nicholson), from The Netherlands (Wendelien van Oldenborgh) and Indonesia (Farid Rakun).